Showing posts with label writing process. Show all posts
Showing posts with label writing process. Show all posts

Wednesday, August 13, 2014

Updates and Snippets

Before I start, just a quick scheduling thing: I'm going to be on vacation next week, soaking up the last dying rays of summer (depressing, isn't it?), far away from my computer. I'll be back to posting and visiting the last week of August.

As I mentioned last week, I'm taking a non-fiction class on writing personal essays, so I'm a little bit swamped with making mistakes muddling through working on my assignments right now. I'm also still trying to get things done on my WIP (the fiction sort), so I decided that for today's post, I'd tag myself in a cool blog hop and talking about what I'm working on!

Hmm, what's that? I can't tag myself in a blog hop? Oh well. Too late now!

1. Fiction: Despite some people's doubts, I really am still working on my novel. I have proof, too. Very heavy, large, and intimidating proof:


It's the big textbook-looking one, set next to a normal book for comparison purposes (which yes, is on my To Be Read list). And just so you can get the full effect, here's a cropped side view (and no, I don't have abnormally giant hands. It really is that big):


I felt the need to show you these pictures, you see, to validate the rather extreme feelings of intimidation and dread that strike me whenever I open this damn tome and start reading. It's a tad bit overwhelming. Unfortunately, it's also necessary, because I have no freaking idea what I'm doing with my South American lifetime yet, and I need as much information as I can get.

I, erm, haven't gotten very far yet. Ahem. I might still be skimming through the Introduction. In my defense, it's 26 pages long.


2. Non-Fiction: This is actually going surprisingly well. I'm afraid to post about it, because I am ludicrously (and yet, for a writer, typically) superstitious about talking about potential success. It's all very Jewish Shtetl Evil Eye-ish of me, but I worry that if I say things are good, they will suddenly take a turn for the very much worse.

I'm going to get over that, though, and say that my hope that writing personal essays would come naturally to me is so far turning out to be true. This is really early to be saying it (cough Evil Eye cough), since I have yet to move past the rough draft stage of anything, but thus far the stories are pouring out of me quickly and easily. I've twice written an entire rough draft of a 2,000-ish word essay (yup, still having brevity problems) in a couple of hours. A couple of hours. Which is NOT NORMAL for me.

This is in stark contrast to my pace when I'm writing fiction. I'm sure that's at least partially because I plot and research and character-develop everything to death in my novels, which I don't have to do for non-fiction. That is a pleasure.

(And no, pantsers, that doesn't mean I'm suddenly joining your team.)

I can't post any snippets from those rough drafts yet, because of many, many reasons, but I can post a little snippety thing I wrote for my homework this week. The assignment was to write an "Apology Epistle", based on this gorgeous little piece, beginning with the words "I'm sorry." It was supposed to be about 250 words, and guess what???  Mine clocks in at 257. Score one point for brevity!!!

Here it is. Feedback is welcome, but be very gentle, please - this is definitely a rough draft.

I’m sorry I didn't go out with you that night. I can imagine so clearly how it would have been: the snow sparkling in starlight, the brilliant white hiding the gray, the yellow, the black: the true character of the city, which we all saw bared for the first time that night, still cloaked in darkness and flecks of light. Walking home through the naked streets, laughing past the shadows in the corners, their menace unnoticed and ignored. The air like knives on our wine-protected skin, their blades unfelt until. Until. Then the figures like more shadows coalescing into a gang of teenagers, staining the white sparkling night, demanding with clumsy gestures our wallets, our money, our phones. Refusal, laughter; their faces so young and so foolish; our minds still shielded in warmth and soaked in booze; then the dark sinking chasm of the gun. 
I imagine that I would have stopped you. I would have taken your arm, looked in your eyes, and the question hovering on your lips would have fallen, unvoiced, to the filthy snow. Then we would have lost wallets, money, phones; gained bruises and cuts and yes, the gash under Ethan’s eye; but we would have walked away uncaring because we would also have your life.
Instead, I stayed home, and worked on the play I was writing for you and with you and because of you, and slept with innocence through the terrible night and awoke to a gray dawn, still unaware, still thinking I had nothing to be sorry for. 

Wednesday, May 14, 2014

Writing Process and...COME BACK!

No, that's not a totally desperate plea to you all, visitors; it's an announcement that Melissa Maygrove's debut novel, Come Back, is now available!! I'll have more on that shortly, but first -

The lovely and talented Kristin Smith tagged me in a writing process meme last week - yes, last week; I know that's like a decade in internet time, but I've been very busy recovering - so I'm going to respond with my own process today. Better late than never, right?

And no, I haven't forgotten that I promised to write a post about public speaking. I will, but thanks to so much busyness in the blogosphere, it's going to have to wait til June's IWSG post. It'll be there, I promise!

Now, on to my writing process:


What am I working on now?

Well, gee, I dunno if I should answer this. I mean, I never, ever, ever talk about it, and I'm just not sure I'm ready to start. I've heard that some people post about their WIPs every single day in one month, but I just don't think I can't do that (did I get to 26 links yet? Hmm...) Well, if I must...

As you all know, probably long past the point of curiosity, I'm currently researching, brainstorming, and plotting out a novel about two souls. The book will follow them through six different lifetimes, all the way from Ancient Greece to the London of the future, in one seriously long and epic love story. You can read the little blurb I created for it here. I'm also querying my first novel, Cloudland, and Other Stories.


How does my book differ from other within its genre?

Hmm. Good question. I've been having trouble fitting this one (and Cloudland) into one specific genre, because I tend to write literary fiction plus something else. Cloudland is literary fiction with elements of fantasy, and my current WIP is literary fiction plus some romance plus magical realism. I hope that works in my favor instead of against me, but honestly, even if it doesn't, it's what I love to read, so of course it's how I write, too.


Why do I write what I do?

Yikes, that is not an easy question. I suppose I write about topics that challenge me, inspire me, trouble me, hurt me, and drive me crazy. I wrote Cloudland because I wanted to talk about grief; about how it can tear you apart if you don't face it; about how universal and yet specific it can be; about the possibility of redemption and growth and peace inside all of that unbearable pain. I'm writing my current WIP because I wanted to dive into that terrifying, thrilling, messy place where love, faith, and fear intersect; because I wanted to raise big questions about souls, and how we love, and who we love; because I wanted to explore all of the ways we can sabotage ourselves and our own happiness, and how the world can sabotage us, and yet we can still hope for - and perhaps even get - a second, a third, a five-thousandth chance at joy.

I couldn't tell you why I write literary fiction; it's just the way it comes out. I have my own frustrations about that genre, anyway, because the name is so inherently snobby. But that's apparently what I write, so there it is. I write magical realism because I desperately needed magic to be real when I was young, and I never got over that acute wish; and because now, as an adult, I do find magic in the strangest places, and that's one of my favorite things about being alive.


How does my writing process work?

Well, I've written this to death on this blog, too; may I point you to my post about plotting as a good starting point? In a nutshell, here it is: I get an idea. I worry the idea is stupid. I brainstorm and develop and research that idea, anyway, in the hopes that it's not. In the process, I get excited about it, and brainstorm and develop and research some more. I write extensive, deeply psychological, insanely long character analyses. I outline and re-outline and outline some more (I will never be mistaken for a panster). In between, I worry and fret and write brainstorming snippets that help me develop character and scene, and worry and fret some more. Once I have a finished outline, I write and write and write, then read and read and read, and edit and edit and edit, and wash, rinse, and repeat.


So...what's YOUR writing process like? Tell me! I'm also going to tag Mason Matchak and Anna Soliveres to continue on with this writing process tour.


And now, on to Come Back, at long last!! Happy Release, Melissa! Seriously, I've been so excited to post about this. Melissa is a great blogger, writer, and friend, and I'm so happy for her...not mention psyched to read this book! It's NA Historical Romance, for those who are wondering. Melissa is also running a giveaway on her blog this week, so after you finish reading this, go over there and enter!


Come Back, by Melissa Maygrove
Sometimes a single choice alters the course of a person's life forever.

Left behind by everyone she loves...

Rebecca Garvey had the promise of a California future dreams are made of, until the wagon train her family was traveling with left her behind. Now she’s slowly dying in the wilderness, abandoned and stripped of her self-worth. Once the shock of her desertion turns to embittered despair, she doesn’t want to be found. Then a handsome stranger challenges her convictions and changes her mind.

Headed for Texas, chased by the demons of his past...

Seth Emerson knows exactly what he wants. Working to save for a cattle ranch of his own keeps him busy and keeps his pain buried. Rescuing a stubborn woman from the hills of New Mexico Territory isn't part of his plan—but she’s exactly what he needs.

Making greater sacrifices than either of them could foresee...


Seth and Rebecca set off on a risky journey and a quest for truth, each healing the other’s love-starved soul along the way. Will they give in to their growing attraction?  Or will they honor their commitments when Seth returns Rebecca to civilization... and her betrothed?

Where to buy:

About Melissa:

Native Texan Melissa Maygrove is a wife, mother, nurse, freelance editor, and romance writer. When she's not busy caring for her tiny nursery patients or shuttling teenagers back and forth to after-school activities, she's hunched over her laptop, complicating the lives of her imaginary friends and playing matchmaker. Melissa loves books with unpretentious characters and unforgettable romance, and she strives to create those same kinds of stories for her readers.