Showing posts with label love story plots. Show all posts
Showing posts with label love story plots. Show all posts

Saturday, April 19, 2014

A to Z Challenge: Q is for Quiet Life

This year, I'm participating in the insane awesome A to Z blogging challenge, which entails posting EVERY SINGLE DAY during the month of April, except for Sundays. Each day's theme corresponds to a different day of the alphabet: 26 days, 26 posts. I'll be blogging each day this month on some aspect of my current work in progress (WIP).

Q is for Quiet Life

Sometimes we first meet the people we love in casual, simple settings - dinner with friends, a blind date, the grocery store - and sometimes they come barreling into our lives like a runaway freight train.

For Taylor, who lives what you might call an absurdly quiet life on a sheep farm in Australia, Nat's arrival on her motorcycle is like that train: just as wild, just as unexpected, and it leaves just as much chaos in its wake.

These two characters, as I've mentioned (too many times, probably), live in Australia in the 1950s or 60s, and it's their story that will carry us through the rest of the novel. The book will begin and end with them, and their story will weave throughout the other lifetimes. At least, that's the way I've planned it for now.

Taylor's life is so quiet that Nat can't help but wonder why, the more she learns about it. Here's a little excerpt about it from one of my brainstorming scenes (and as always, standard disclaimers apply, including the fact that I totally made up the sheep farming bits). And as a side note, on 'N' day, some of you mentioned wanting to see Nat's take on Taylor. Well, that's not really possible (and come back on 'T' day to see why), but today's snippet gives you a small insight into how Nat sees Taylor. :

“There’s not much to tell.” We were in the fields a week or so later; the dogs were running the flock back and forth, so I could watch for any lame ewes.  
Nat smiled. “Come on, I tell you stories all the time. I want to hear one of yours.” 
I shrugged. “It’s a quiet life, living on a farm. Nothing like traveling the country on a motorcycle.” 
“Well, tell me about the quiet life, then.” 
One of the ewes separated from the rest and made a move toward the open gate. I watched as Rafe, dense and black against the white flock, darted forward and nipped her back into line. Good boy. “You’ve seen it. This is it,” I said. 
“I’ve seen a tiny bit of it. That doesn’t count. What about all the rest?” 
“What do you want to know?” 
“I don’t know. Tell me about your family. Tell me about the other girls you bring over when I’m not around.” 
I shook my head. “There aren't any.” 
She laughed. “I don’t believe that for a second. Come on now, spill. I won’t be jealous.” 
“It’s the truth. There aren't any.”
Her eyes were hot on my face, but I kept watching the flock. “Really?” she asked. I didn't respond, just whistled at Rafe, who turned quickly to move the flock to the right. “Come on,” she said. “Not even one? What about that cute waitress at the diner – what’s her name? Susie?” 
I frowned and tried to think of what the waitresses looked like, but came up blank. “What about her?” 
“She was flirting with you, even with me right there.” 
“She was?” I thought back, but I couldn’t even remember what the girl looked like. I’d taken Nat to Brenda’s diner for lunch a few days before, because Nat said she liked diners. We ate eggs and bacon; I watched Nat’s face as she talked. Her hands moving through the air, helping her tell her story. The curve of her breasts under her shirt. Had there been a waitress? 
“Don’t tell me you didn’t notice?” Nat asked. 
I could feel my cheeks starting to burn. “I guess I didn’t.” 
“Lord, Taylor, she was practically drooling on you.” 
“You were paying a lot of attention. Why don’t you go after her, then?” I pushed myself off the fence and waved at the dogs, signaling them to bring the sheep back to pasture. There were a few I wanted to get a closer look at.  
“It wasn't me she wanted.” 
“Well, I don’t remember her.” 
Nat followed me around to the gate and helped me close it. “You really don’t, do you?” Her smile was light but her eyes were serious. 
“No, I don’t.” 
She was quiet for a minute as we walked across the field. “Men, then?”  
“No.” 
“I won’t be upset if the answer is yes. Either one is fine by me. Both, too.” 
I shook my head. “I don’t bring anyone here.” 
“No one? Ever?” 
“I told you it’s a quiet life.” I whistled the dogs off the flock, and patted their heads as they swarmed around us, tails feathered and waving.  
“That’s not quiet. It’s saintly.” 
“It’s just the way I live.” I watched the sheep settle in and start to graze. They were still a bit flighty, after the exercise, and I wanted to wait on walking through them until they were calmer. 
“Taylor…” Her tone was so serious that I looked up. She was frowning, the tiny lines around her eyes more pronounced. “Am I – I’m not your first?” 
I looked back at the sheep. “No.” 
“There’s no shame in it. Some people wait a really long time before – ” 
“You’re not my first.”

Friday, April 11, 2014

A to Z Challenge: J is for Jealousy

This year, I'm participating in the insane awesome A to Z blogging challenge, which entails posting EVERY SINGLE DAY during the month of April, except for Sundays. Each day's theme corresponds to a different day of the alphabet: 26 days, 26 posts. I'll be blogging each day this month on some aspect of my current work in progress (WIP).

J is for Jealousy

Ah yes, jealousy: that green-eyed monster. What kind of love story would I be telling if jealousy didn't factor in at all?

A pretty dull one, I think.

After all, jealousy is one of those strange, precious literary gems: a vicious, corrosive emotion we hate to feel in our own lives, but one that we love to read about our characters struggling with. Because it's human, and so very real, and highly incendiary when tossed on a pile of blazing love-denied/love-forbidden/love-rejected plot embers.

I haven't worked out all of the details yet - or, ok, fine, most of the details; this is a work in progress, after all - but I already know that jealousy is going to be the death (perhaps literally, at least as far as the participants are concerned) of one love affair, and the reason another one never happens at all - and therefore a reason for the characters to suffer from yet another corrosive literary gem: regret.

Creepy, isn't it? Thanks to http://cher-homespun.blogspot.com/2011/10/firewater-friday-jealousy-is-all-fun.html for the image...

I love that image: it's just as tangled and fierce and even diseased as jealousy often feels. I might have to keep it on my desktop as I write...

Thursday, April 10, 2014

A to Z Challenge: I is for India

This year, I'm participating in the insane awesome A to Z blogging challenge, which entails posting EVERY SINGLE DAY during the month of April, except for Sundays. Each day's theme corresponds to a different day of the alphabet: 26 days, 26 posts. I'll be blogging each day this month on some aspect of my current work in progress (WIP).

I is for India

...well, maybe. Yes, I'm doing that again. But that 'maybe' is looking more and more like a 'yes', because the basic plot I'm working out for this lifetime, if it is in India around 1890 (although I may change the year), is looking like more and more fun. So E very likely is going to be for Emma, and I really might be going to India. Metaphorically speaking only, unfortunately. I really need to find that rich, generous patron one of these days...

Anyway, my concerns about researching and accurately writing about India - and Indian people - during the British Colonial Era haven't gone away, but the plot is getting...well...too delicious to ignore. Yes, Ava, you were totally right - the whole situation is rife with conflict. Emma, I think, will be engaged to a proper British gent, chosen for her by her beloved dad, and although she's not in love with this fiance, she's happy to be a dutiful daughter, and he seems like a nice enough bloke, and everyone keeps telling her she'll fall in love with him over time, and so on and so forth.

Yes, it's the perfect engagement, and the wedding plans are so lovely and everyone is so happy, and then along into Emma's house comes this strange, compelling, mysterious Indian servant-woman, who doesn't act like a servant at all, is far too beautiful, and who seems much more interested in Emma's father's military plans than she does in cleaning the house.

And poof, now we have all the makings for a truly complicated forbidden love story, between two people who absolutely should not and cannot and must not fall in love - for every conceivable reason you can think of, and then some - and yet who find themselves inexplicably and inexorably drawn to each other, almost as if they'd known and loved each other in a previous life, or even lives...

Now come on, how fun is that?

Wednesday, April 9, 2014

A to Z Challenge: H is for Heartbreak

This year, I'm participating in the insane awesome A to Z blogging challenge, which entails posting EVERY SINGLE DAY during the month of April, except for Sundays. Each day's theme corresponds to a different day of the alphabet: 26 days, 26 posts. I'll be blogging each day this month on some aspect of my current work in progress (WIP).

H is for Heartbreak

Ah, heartbreak: that terribly awfully perfect piece of a love story. Most of us love happy endings, but if we're honest, we also love to see some heartbreak before our heroes and heroines get what they want. After all, happiness is all the more precious when it's hard-won, and to set aside humor for a moment, we all know what it's like to suffer, and feel like we won't survive it. It's part of being human, that awful grief - as is the rush of light when we come out on the other side, and find that somehow, miraculously, we're still alive. But I already wrote about that in Cloudland.

In this novel, I get the delicious fun of adding heartbreak into six different stories, and of subjecting my two souls to a variety of different forms of heartbreak. I mentioned this at length in an earlier post, but I'm planning on using quite a few of the love story plots at my disposal.

So I'll have heartbreak because someone isn't loved; heartbreak because someone is and the love isn't reciprocated; heartbreak because love is forbidden; heartbreak at being rejected, not once, not twice, but three times, by the same person; heartbreak at once-perfect love being destroyed; and quite a bit more.

I'm not just being sadistic, here, although that is fun. I'm trying to build a story arc through six different lifetimes - which means, really, that things can't work out perfectly until the last story. What a pity, right? ;)